Marc Mommaas comes from a creative background. With four generations of professional musicians in his
DNA the arts in all its varieties quickly became an integral part of his life. He grew up with his mother
performing and teaching opera and classical piano, and his father in the center of the Dutch art scene
using oil on canvas as his art form while being deeply passionate about Jazz and Improvisation.
During his
study in Amsterdam he combined his musical development with a university education (Masters in
Comm.Science/Business). After being awarded two Dutch grants (Stichting Podium Kunsten, Prins Bernard
Fonds Anjer Fondsen) he made the move to New York City in 1997. Once in New York he received a full
scholarship to attend the Manhattan School of Music where he became a Cum Laude Graduate and was awarded
the William H. Borden Award.
Marc Mommaas made his debut as a leader in his 1999 recording “Global Motion
Trio” with Nikolaj Hess (piano) and John Hebert (bass). In 2001 the acclaimed drummer Tony Moreno joined
the group. Since joining Sunnyside records as a recording artist in 2003 he released five intrinsically
different albums bearing witness of his immense stylistic versatility and his unique and powerful approach
in sound and composition.
“A fearless improviser on both tenor and soprano, Mommaas has the ability and
sense of spontaneous composition to start from almost nothing and build solos that were alive with energy
and commitment, fairly bristling with power” (John Kelman, All About Jazz).
In 2003 after an extensive
tour in Europe the band returned to NYC to record the critically acclaimed studio album “Global Motion”.
“For the last two decades Sunnyside has showcased some of the best and brightest jazz musicians on the
scene. “Global Motion” is no exception. It heralds the sound of the 21st century”(By Eugene Holley,
SunnySideRecords).
This record was followed by another well received Sunnyside release titled Balance
(2006), a long anticipated duo recording with pianist and longtime friend Nikolaj Hess.
“Part of the
reason for Mommaas’ unexpected accessibility, in spite of his freedom to go his own way when he winds
improvisatory lines, is his attention to tone and an unspoken narration. For Mommaas does have stories to
tell through his music. His use of clipped phrases, upward sweeps, intervallic leaps and approximations of
the human voice create segments within the lengths of his tunes that bear wordless explication and
exclamation”. (Bill Donaldson, Jazzimprov).
In 2010 he jumped into a new project born out of his extensive
collaboration with drummer Tony Moreno. It became “Landmarc, the guitar project”, a band with three
guitars, sax, drums and no bass. The touring band includes two stellar guitars, Vic Juris and Nate Radley.
Acclaimed critic Thomas Conrad of Jazztimes cited this release as “Landmarc is a breakout recording for
Mommaas,” which was reaffirmed by notable critic Dick Hovenga of Written in Music: “Landmarc is a true
masterpiece and Mommaas is the man to watch out for”.
Not content to rest on his accomplishments, Mommaas
challenged himself further by releasing his ambitious and highly successful solo Saxophone project
“Irreversible Momentum” inspired by and in commemoration of his father who passed away in 2009. A
reflective counterpart is another release where Mommaas connects with his roots and the tradition of Jazz,
his first love. This release includes ballads and standards in collaboration with Nikolaj Hess and guests
Vic Juris and Thomas Morgan. “Ballads and Standards is an album that you want to keep returning to. An
album full of timeless Jazz of unprecedented beauty that will touch your heart deeply” (Dick Hovenga,
Written in Music).
At the moment he is working in a new formation presenting 5 extended suites written
over the last three years. The center of the band is saxophone, drums, bass, guitar and piano which can be
extended with a full string quartet. Some of the musicians involved are Johannes Weidenmueller, Matt
Clohesy, Nate Radley, Sebastian Noelle, Gary Versace, Nikolaj Hess, Ari Honig and Dann Weiss.
Marc has
toured the world with many formations as a side man including the Amina Figarova sextet featuring Alex
Norris, Bart Platteau, Jason Brown and Rashaan Carter, and with other formations lead by the Tony Moreno
Quintet including Ron Horton, Oganna Okegno and Jean Michel, Ron Hortons group with Frank Kimbrough, John
O’Gallagher, Tim Horner and Dean Johnson and Sebastian Noelle’s formation including Dan Weiss, Matt
Clohesy and Matt Mitchel.
He played all the main stages, from the New Port Jazz Festival to Carnegie Hall.
Besides his impressive career as a saxophonist and improviser he also made his mark as an educator. He
co-founded the New York Jazz Workshop with Marco Chelo and Hudson Jazz Works with Armen Donelian, a
faculty member of the New School, has given masterclasses on conservatoria across the globe, and is an in
demand saxophone and composition teacher in NYC. Marc is currently working on a text book on “a rhythmic
approach of improvisation and composition for linear instruments” and a new work focusing on Harmony and
Improvisation in combination with Infodesign.
Check it out in the Music page
Biography
(on a personal note)
saxophonist / composer Marc Mommaas, nyc
Marc Mommaas, tenor saxophonist and composer was born in Tegelen, Netherlands on Sept. 12th, 1969. He grew
up in Amsterdam and since 1997 made NYC his home.
His father Henk Mommaas, was a well-known painter/artist in the Netherlands and developed his career in
Amsterdam. His mother Carolien Collette is a pianist, opera singer and educator.His grandfather on his
mother’s side was a professional multi instrumentalist playing flute, viola da gamba, recorder, organ,
spinet and harpsichord and taught at the conservatory of Maastricht. His grandmother on his mothers side
was
an opera singer and his great grandfather an organ player.
Although always surrounded by music and playing
accordion and chromatic harmonica he first became an athlete (swimming). Training ten times a week built
up
his discipline and concentration while competing all over Europe gave him a taste of the joys of visiting
different countries experiencing their cultures. At 16 years of age injuries in his shoulders stopped him
in
his track and he returned to music. He decided on tenor-saxophone.
His first hero was Ben Webster who he
shook hands with at a Sunday afternoon concert when he was 3 years old by climbing on stage to say goodbye
and to thank him for the music. His first teacher was Ronnie Rem (an alto saxophonist) who introduced him
to
Stan Getz, Bill Evans and Charlie Parker, followed by flutist and saxophonist Peter
Guidi who became his
mentor and introduced him to Coltrane, Rollins and Cannonball Adderley. He also had some lessons from
Jasper
Blom (saxophonist and educator, teaches on the conservatory of Amsterdam). Coming from a rebellious artist
background the self-taught road appealed more to him than the common conservatory route. During Marc's
musical study he managed to combine his musical development with a university education.
After finishing his
education (Master-degree in Comm. Science/Business/Economics at the University of Amsterdam, 1995) he
visited New York City to continue his musical career. There he studied with wellknown musicians David
Liebman, Garry Dial, and Dick Oatts. He returned to Holland where he continued to work as a freelance
musician. After receiving two grants (Stichting Podium Kunsten, Prins Bernard Cultuur Fonds/Anjer Fondsen,
1997) he returned to New York where he continued his musical development by participating in master
classes
and studying composition, harmony and piano with Garry Dial who became his main mentor. Not ready to
return
to theNetherlands Mommaas extended his stay by applying at the Manhattan School of Music. He received a
full
scholarship (2000) where he pursued his Master's in Jazz Performance and upon graduating was awarded the
'William H. Borden Award' (2002), given to one student out of the graduating class for outstanding
achievement. He also participated in the Lake Placid Seminar (1997) and the Aspen Snowmass Jazz Sessions
(2001) for which he received full scholarships.
New York City became his home from where he would expand his
wings. He frequently tours Europe, Scandinavia and Canada with different formations and tours on a regular
basis with his band "Global Motion", making his first recording as a leader in 1999. In 2002 the renowned
percussionist/drummer from New York City, Tony Moreno joined the band. Global Motion also includes
alternating bass players John Hebert from New Orleans and Jay Anderson from New York City, and pianist
Nikolaj Hess from Copenhagen. In 2006 Balance was released by Sunnyside Records, a long anticipated duo
recording with Nikolaj Hess which received critical praise. The third release by Sunnyside records and
fourth release as a leader is Landmarc, a guitar project including three guitarists, Nate Radley, Vic
Juris
and Rez Abbasi, and on drums Tony Moreno. Compositions are written without bass function and is a
testament
to the depth in Mommaas’ rhythmic language.
Mommaas’ goal in his art form has always been to create
boundless freedom of expression, not restricted by any technical or intellectual limitations. Balancing
harmonic depth, a natural talent for melody and an endless pallet of rhythmic colors Mommaas has created
his
own sound both as a performer and composer. As an artist he feels the importance of connecting with his
environment by presenting a musical language that is in balance with the time we live in. He attracts
students from all over the world and is co-founder of HJW (Hudson Jazzworks) and NYJW (New York Jazz
Workshops).
“Now Marc Mommaas finds himself at the zenith of his musical powers with Landmarc, a
recording
that best exemplifies the kind of “tradition in transition” artistry that modern jazz is all about. “It is
the artist’s goal to translate the emotions, ideas and energy that we live in into an uplifting, sincere
and
powerful sound with relevance.
” ---------------------------------------------------------------------- By
Eugene Holley (2010)
Played With
Some of the musicians that Mommaas Played with:
Frank Kimbrough, Nikolaj Hess, Art Lande, Jean Michel Pilc, Armen Donelian, Jim mcNeely, Chris Davis, Amina
Figarove, Bill Gerhardt, Henry Hey, Russ Lossing, Garry Dial, Garry Versage, Allen Farnham, Jurgen Friedrich,
Mads Baerentzen, Kenny Werner, George Colligan, Jim Ridl, Scott Tinkler, Christian McBride, Roland Guerin, Jay
Anderson, Rufus Reid, Francois Moutin, Ben Allison, Dean Johnson, Boris Koslov, Ben Street, John Hebert,
Eivind Opsvik, Carla de Rosa, Stefan Lievestro, Matt Pavolka, Phil Palombi, Brad Jones, Roland Guerin, Thomas
Morgan, Anders Christensen (AC), Johannes Weidenmeuller, Belden Bullock, Martin Wind, Luques Curtis, Rashaan
Carter, Tony Marino, Reggie Workman, Mark Sherman, Joe Locke, David Liebman, Chris Cheek, Scott Robinson, Ted
Nash, Rez Abbasi, Vic Juris, Miles Okazaki, Ben Monder, Nate Radley, Sebastian Noelle, Mike Moreno, Sheryl
Bailey, Dave Allen, Brad Shepik, John Hart, Tom Chang, Tony Moreno, Tim Horner, Dan Weiss, Ted Poor, Tyshawn
Sorey, Jeff Hirshfield, Jeff Ballard, Billy Drummond, Henry Cole, Rob Garcia, Jeff Davis, Mark Ferber, Matt
Wilson, Allison Miller ,Jason BrownJacob Bro, Mikkel Hess, Gregory Hutchinson, Dena DeRose, Corinne Bailey
Ray, Fay Victor, Ron Horton, Ralph Alessi, Alex Sipiagin, Alex 'Pope' Norris, Ernie Hammes, Matt Schulman,
Doug Beavers......